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The ''violin sonata no. 1'' in A minor, opus 105 of Robert Schumann was written the week of September 12– 16 September 1851.〔Perrey, Beate Julia (2007). . Cambridge University Press. page 123. ISBN 0-521-78341-0.〕 Schumann was reported to have expressed displeasure with the work ("I did not like the first Sonata for Violin and Piano; so I wrote a second one, which I hope has turned out better"). This was also the year of the premiere of the Rhenish symphony (), and among compositions the substantial revision of the fourth symphony, the third piano trio, the oratorio ''Der Rose Pilgerfahrt'', a number of piano works and two of his concert overtures, ''Julius Caesar'' (after Shakespeare) and ''Hermann und Dorothea'' after Goethe. (()) It was given its official premiere by Clara Schumann and Ferdinand David in March 1852 (). The sonata has three movements: #Mit leidenschaftlichem Ausdruck (dotted quarter=68, or, 68 dotted quarter notes in each minute), 6/8 time, 209 bars in A minor #Allegretto (eighth note=96), 2/4 time, 79 bars in F major #Lebhaft (quarter note=94), 2/4 time, 213 bars in A minor ==Mit leidenschaftlichem Ausdruck== The first movement begins passionately, with the theme first played by the violin and amenable like so many of Schumann's themes to canonic treatment. (Schumann once remarked on this fact himself. ()) This theme serves to introduce a compact, driven sonata form pushed ahead by economical use of rhythms (new themes often are based on some of the same rhythms as older ones, and overlap with them as well). The sonata is also driven by the intensity added by canonic treatment of themes, centering around and pushing towards a small number of climaxes, one of which is the reappearance of the opening theme in a much-slowed-down form just preceding (and followed without pause by) the recapitulation. The coda is in two parts — quiet sustained over an F-E pedal with several recurrences of the main theme, gaining intensity and leading to a section — most of a page — in which the violin has running sixteenth notes, the piano mostly chords, until the final harmonies A major - A minor - B diminished - E major - A minor. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Violin Sonata No. 1 (Schumann)」の詳細全文を読む スポンサード リンク
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